Sequels Are Sometimes...

        I loved the movie Fargo. With that movie's last scene (it was close to the very end), Fargo became not only a place but a verb.

      "I'm gonna Fargo you," meant my husband was getting dangerously close to getting put into the wood chipper.

       The series has been out for several years, and I resisted... until recently. The first season was okay (but had spectacular music). I loved the second season (also phenomenal music--Jethro Tull's "Aqualung" was featured on one episode).

        This coincides with me reading Barbara Robinette Moss' memoir Fierce. Her first one, Change Me Into Zeus's Daughter, is one of my favorite books. (It has the most compelling beginning. Seriously.)

       Initially, I got Fierce simply because of the author. I doubted it would be as good. However, this memoir picks up during her adult years and it's wonderful.

        So, do as I say, not as I do. Don't be so resistant of a sequel or a remake or a second novel/memoir that you miss out on something wonderful... 

        Some of them are great.

        And if you need to kill your inner critic, read my post on The Muffin.

What's in a Name?

          I love when a post prods me to go to my book shelf--or even better--compels me to write.  The writing inspires me to trot off, on a mission, to find the something I'm looking for...

         Yesterday Donna Volkenannt's blog, among other things, got me thinking of first lines of books.  Donna is asking for you to share some of your favorite first lines. If you haven't done so already, do so. 

        I always look at the first line of a book before I buy it.  Sometimes it doesn't immediately hook me, but if I already love the author, I'm willing to go on the journey anyway.  Most of the time, however, if I make the purchase, it's because that initial line sends me off into a much-desired direction, or it intrigues me to the point that I must know where it leads... 

        When commenting on Donna's blog, I included that I loved Dickens' first, paragraph-long sentence from Tale of Two Cities.  Com'on.  You know you want to join in with me..."It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness..." (and that's only half of it).

       Also, I quoted Barbara Robinette Moss' first line from her brilliant and moving memoir Change Me into Zeus's Daughter. This was an author I was unfamiliar with.  I remember vividly picking this book off the shelf, looking at the first line, being held hostage--with that sentence jabbing me in the back---until I paid for the book and started reading it, completely immersed.

     "Mother spooned the poisoned corn and beans into her mouth, ravenously, eyes closed, hands shaking."

      I just had to know why the woman was eating something poisoned while she was obviously being watched by her child/children. I figured she was bent on killing herself, but no, that's not where the story leads...(Buy the book or borrow it from the library. It's a worthwhile read.)

       

       I also love Mary Karr's first line in her memoir Lit.  After the prologue. When the story really begins...

       "Age seventeen, string-haired and halter-topped, weighing in the high double digits and unhindered by a high school diploma, I showed up at the Pacific Ocean, ready to seek my fortune with a truck full of extremely stoned surfers."
Occasionally I turn to the last page and read the last line. Of course, I'm taking the risk of sabotaging myself.  But it's like the bread that makes a sandwich. If it's spongy white Wonderbread that holds the story together, I'm not interested. However, if it's hearty, coarse bread with a thick, crunchy crust, baked in a brick oven (in southern France!  Make it bread baked in France!), then I'm gonna take a bite and start chewing...

       ("Okay.  Enough with the on and on moaning about first lines and now---Geeze---salivating over bread.  Your post's title was "What's in a Name?"  Stop digressing.  Get back to the point you began with.)

       Donna's post got me thinking about the fact that sometimes, it's the title that gets me excited. Usually it happens with books that I use with my third graders.  And just like I bought Change Me into Zeus's Daughter just because I fell in love with the first line, I also bought this intermediate book simply because of the title: No More Dead Dogs.  (And no, it's not a depressing book about the death of a dog. In fact, it's funny.)

      So, share with Donna some of the best first lines from books you have collected on your bookshelf.  And share with me the book titles that have most intrigued you.  What titles have lit you on fire?